One setting I like a lot is an automatic makeup gain for the compressed signal. Here you can affect both your compressor and limiter. Things get a little more complex in the settings, which are accessed by clicking the arrows underneath the input slider. While looking at the bottom of the plugin you can A B different settings, link the left and right channels or affect them separately, make the compression mid/side, and enable true peak detection on the limiter.
#Good settings for sonnox oxford limiter full#
This means you can compress one section of the signal, but still limit the full signal. The compressor can be made parallel, and even used to expand the signal if desired.įurthermore, this compressor can be used to affect the full frequency spectrum, the low range using the low pass filter, or the mid-range using the band-pass filter. So again, this section here, with the threshold, knee, ratio, attack, and release, all have to do with your compressor, not the limiter. The one further to the left is the gain reduction of the compressor, the one on the right is the gain reduction of your limiter. You’ll notice that once you start affecting your threshold, knee, ratio, and so on, that you get 2 different gain reduction meters on the right.
Keep in mind that this knee refers to an additional compressor, not your brick wall limiter. If you want, you can see your full frequency response and the knee of your compression. On the right is your output gain, which should be lowered slightly to avoid inter-sample clipping. The display shows the amount of attenuation, as well as the amplitude of the original and effected signal. On the left is your input gain which automatically enables the limiter once increased enough.
The cost of the Weiss Compressor/Limiter is $199.
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